The Florida Review is pleased to announce the winner of the fourth annual Jeanne Leiby Memorial Chapbook Award: Reno, by Nat Akin.
- Second place: Home or Away, by John Hearn
- Third place: The Violin House, by Oindrilla Muhkerjee
Nat Akin's short fiction has appeared in The Missouri Review, Ecotone, and Tampa Review. He is a prior recipient of one of two annual fellowships awarded for Literary Arts by the Tennessee Arts Commission. He lives in Memphis, Tennessee.
The contest judge, Patricia Grace King, had this to say about the winning manuscript: Lush and lyrical, Reno, by Nat Akin, explores important questions of heritage and homeland. Evoking a small Florida beach town in all of its dimmed, gritty splendor, Reno is pure pleasure—from this vivid setting to the deftly drawn characters who are alternately drawn to and compelled to leave it.
Patricia Grace King’s stories appear in The Gettysburg Review, Ploughshares, Narrative Magazine, Nimrod, and other journals. Her chapbooks, The Death of Carrie Bradshaw and Rubia, won the Kore Press Short Fiction Contest and The Florida Review’s Jeanne Leiby Memorial Contest, respectively. She was the 2013-2014 Carol Houck Smith Fellow at the Wisconsin Institute for Creative Writing and is currently a fiction editor for Kore Press.
The Florida Review is proud to announce the fifth annual Jeanne Leiby Memorial Chapbook Award in Fiction, Essay, or Graphic Narrative. For more information, write firstname.lastname@example.org.
To be announced.
The Florida Review is pleased to announce the results of our third Jeanne Leiby chapbook award. The judge this year was David James Poissant, author of The Heaven of Animals, Lizard Man, and award-winning stories in too many journals to mention.
- Winner: The Rug Bazaar, by Marylee McDonald
- Second place: In the Air a Shining Heart, by Lydia Copeland Gwyn
- Third place: What to Say to Aliens, by Marc Sheehan
Here's what the judge had to say about the winning work and the award in general:
The Rug Bazaar is a duet of stories, both of which concern American women traveling in Turkey. Both are love stories, and both seem to fly in the face of everything you'd think a love story could be. These are independent stories, yet, as a pair, they harmonize. In music, we might call this "call and response," how one instrument follows another, and, in following, comments on the first. I'll leave it to the reader to pick the order in which these two pieces might best be read. But, surely, read them both! Much of the beauty of The Rug Bazaar is to be found in the way each story complements the other.
Jeanne Leiby, the writer, editor, and teacher in whose memory this chapbook series is named, was a mentor to me early in my career. I wish I'd known her well enough to call her a friend. She published two of my stories during her short time at The Southern Review, and I was always grateful, not just for the publication, but for her taking the stories she took. Jeanne took risks. She was a fan of unusual stories, a friend to the weird. The stories you'll find here, "Youthful Acts of Charity" and "Bound by Love and Blood," are two such stories. I can't say whether Jeanne would have admired them as I admire them, but, as Jake says at the end of The Sun Also Rises, "Isn't it pretty to think so?"
The judge for the 2012 Jeanne M. Leiby Chapbook Award was Lex Williford, author of the novel Macauley's Thumb, and coeditor of the Scribner Anthology of Contemporary Fiction. His work has appeared in American Literary Review, Glimmer Train, Prairie Schooner, Virginia Quarterly Review, and elsewhere.
Williford sent the following to describe the chapbook award winners, the award, and the award's namesake:
The three finalists for the Jeanne Leiby Chapbook Award each deal with the mysteries of grief from three different points of view:
- First Place: “A Year of Silence” by Polly Buckingham
- Second Place: “Magnify, Sanctify” by Sharon Solwitz
- Third Place: “Do You Believe in Ghosts?” by Leslie Pietrzyk
In the winning story, “A Year of Silence,” a man who has lost his wife to a terrorist attack in the London Tube tries to take care of his daughter, a gifted seven-year-old pianist, who gradually loses her ability to feel the keys of her instrument, to play the music her mother loved or, after surgery, to use her hands for even the most simple task. Stranded in a cottage with no electricity and little food in an unrelenting winter flood rising from the North Sea, the two characters survive the cold wind- and rain-swept Outer Hebrides, an almost perfect embodiment of a depthless and unending grief.
While all three stories reveal courage in their unflinching depictions of loss—the lost son of a Jew who no longer believes in God in “Magnify, Sanctify,” the lost husband of a narrator with an inimitable voice tough, authentic and tender as Jeanne Leiby’s--“A Year of Silence,” as its title suggests, strikes me most powerfully in its willingness to strip away the loudness of the modern world in all its meaningless busyness—a too-easy escape from countless un-grieved losses—so that, in the great silence of a great loss, we can see grief in its purest, rawest, most terrifying form, then receive the greater gift of renewed feeling, a girl who’s lost her hands for a long, silent year drawing a portrait of her lost mother.
The last time I saw Jeanne Leiby was at an Associated Writing Programs conference, just a year or so after she became editor of the prestigious Southern Review. A former editor of the Florida Review and the Black Warrior Review when I was the magazine’s faculty advisor, she’d also been one of my most memorable, gifted workshop students at the University of Alabama, one of those rare young writers whose voice and vision were unlike any other writer’s I’d ever read, uttlerly unsentimental, with a unique gift of dark humor and an unflinching honesty delivered with genuine empathy, generosity and kindness. How could I forget “Vinegar Tasting,” which she wrote for the first graduate workshop I ever taught, a story later published in the Indiana Review and in her Doris Bakwin Prize-winning story collection, Downriver?
When she saw me at AWP, she hugged me and said something I’ll never forget, though I can’t say it here, a single simple declarative sentence, a simple kindness, that I see as the beginning of the end of one of the most difficult periods in my life, a long period of private grief she helped bring to an end. A year later, she was gone, too young, too soon, at the beginning of what had already become a distinguished career as a writer and editor.
Being asked to judge the chapbook contest in Jeanne’s name has been a simple kindness Jocelyn Bartkevicius and the editors of the Florida Review have given me, helping me, and others, I hope, in bringing a depthless grief to whatever end is possible, in a celebration of Jeanne’s remarkable life, work and spirit.
To purchase "A year of Silence" click here
The winner was "Rubia," by Patricia Grace King. She received $500, and letterpress, hand-bound chapbook publication. Second was "Foreign Service" by Julia Lichtblau, and third place "The Geometry of Children." They received tuition at writers conferences and their work appears in The Florida Review 37.1.
The judge was David Huddle, whose books include Black Snake at the Family Reunion (Louisiana State University Press, 2012), Nothing Can Make Me Do This (Tupelo Press, 2011), Glory River (Louisiana State University Press, 2008), Grayscale (Louisiana State University Press, 2003), La Tour Dreams of the Wolf Girl (Houghton Mifflin, 2002), and Story of a Million Years (Houghton Mifflin, 1999). His work has appeared in such journals as Esquire, Georgia Review, Shenandoah, Southern Review, The New Yorker, and Yale Review.
Huddle wrote of "Rubia":
It is so deftly and subtly written and so smart about so many topics--soccer, travel, youth, language, race, culture, love, and the sexes--that to read it is to feel secretly wise about the world.
To purchase "Rubia" click here
Polly Buckingham's fiction and poetry appears in The New Orleans Review, The North American Review, The Tampa Review (Pushcart nomination), The Literary Review, Exquisite Corpse, Kalliope, Hubbub, The Chattahoochee Review, The Moth, The Potomac Review and elsewhere. Her collection The Stolen Child and Other Stories was both a 2011 and 2012 finalist for the Flannery O'Connor Award and a 2012 Bakeless Prize finalist. She is founding editor of StringTown Press and teaches creative writing and literature at Eastern Washington University.